A DeAngelisReview Thought Probe

Who Made
What Moves You?

If a maker creatively conceives of a work and, with collaborators, technically directs and codes its production, then iterates, selects, and edits images with generative AI, how do you judge the result?

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Short screening · About 4 minutes

Who Made What Moves You?

A DeAngelisReview Thought Probe

Who Made What Moves You?

If a maker creatively conceives of a work and, with collaborators, technically directs and codes its production, then iterates, selects, and edits images with generative AI, how do you judge the result?

1 of 5 · The question

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If a maker creatively conceives of a work and, with collaborators, technically directs and codes its production, then iterates, selects, and edits images with generative AI, how do you judge the result? In the 1977 film Star Wars, Larry Cuba's wireframe Death Star plans brought computer animation to the screen. Cuba's account In 1982, a Lucasfilm team led by Alvy Ray Smith made the Genesis sequence for Star Trek II, with Loren Carpenter's fractal mountains. Smith's account We will consider two works made with the help of generative AI and ask whether it serves a similar purpose. The first is Superradiance, by Memo Akten and Katie Hofstadter. Artist's project A humanlike figure appears within pale, petal-like folds against a dark field, with other colored forms nearby. Official film Hofstadter choreographed and performed the dance in this work, which combines poetry with code, simulations and generative AI. Artist's project
1977

Star Wars

In the 1977 film Star Wars, Larry Cuba's wireframe Death Star plans brought computer animation to the screen. Cuba's account

1982

Star Trek II

In 1982, a Lucasfilm team led by Alvy Ray Smith made the Genesis sequence for Star Trek II, with Loren Carpenter's fractal mountains. Smith's account

We will consider two works made with the help of generative AI and ask whether it serves artistic expression as computer animation did then.

Read the introduction
If a maker creatively conceives of a work and, with collaborators, technically directs and codes its production, then iterates, selects, and edits images with generative AI, how do you judge the result? In the 1977 film Star Wars, Larry Cuba's wireframe Death Star plans brought computer animation to the screen. Cuba's account In 1982, a Lucasfilm team led by Alvy Ray Smith made the Genesis sequence for Star Trek II, with Loren Carpenter's fractal mountains. Smith's account We will consider two works made with the help of generative AI and ask whether it serves a similar purpose. The first is Superradiance, by Memo Akten and Katie Hofstadter. Artist's project A humanlike figure appears within pale, petal-like folds against a dark field, with other colored forms nearby. Official film Hofstadter choreographed and performed the dance in this work, which combines poetry with code, simulations and generative AI. Artist's project

Memo Akten and Katie Hofstadter

Superradiance

About the work

A humanlike figure appears within pale, petal-like folds against a dark field, with other colored forms nearby. Official film Hofstadter choreographed and performed the dance in this work, which combines poetry with code, simulations and generative AI. Artist's project

How the work was made

Akten and Hofstadter call the work “woven together with code, simulations, and generative AI” (Artists' account).

Superradiance by Memo Akten and Katie Hofstadter, with choreography and performance by Hofstadter and music by Akten for Chapter 1 and Rutger Zuydervelt for Chapter 2 (Artist credits).

Selected passage · 1:50 to 2:44Watch complete film · 12:00
Official artist presentationWatch on artist's site

Sofia Crespo

Structures of Being

About the work

Projected onto Gaudí's Casa Batlló in Barcelona, the work responds to the natural forms that inspired the building, with images shaped for the facade using a detailed three dimensional scan (Artist's project).

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That concern with living forms takes a different shape in Structures of Being, by Sofia Crespo. Artist's project Projected onto Gaudí's Casa Batlló in Barcelona, the work responds to the natural forms that inspired the building. Artist's project Its images are shaped for the facade using a detailed three dimensional scan. Artist's project

How the work was made

Crespo lists the medium as “generative and simulative systems, neural networks” (Artist's account).

Structures of Being by Sofia Crespo, with music by Robert M. Thomas performed by Juan de la Rubia and Cosmos Quartet, and technical direction by Feileacan Kirkbride / Entangled Others Studio (Artist credits).

Selected passage · 7:45 to 9:00Watch complete film · 11:01
Casa Batlló · Artist's presentationWatch on artist's site

Closing question

Art with new tools,
or something different?

What did you make of these works, and did knowing how they were made change your judgment? I regard these works as art. The earlier animation gives us a precedent, though it cannot settle what we make of them. What is your own view, and what in either work led you to it?

Which decisions in these works would you credit to their makers?

This is a DeAngelisReview Thought Probe, meant to prompt thinking and conversation about the questions of our day.

Credits and presentation

Short mode selects Superradiance, 1:50 to 2:44, and Structures of Being, 7:45 to 9:00. These are author-review selections. Final picture and sound boundary checks remain open. Full-film mode uses the complete official uploads.

The in-page player requests each passage through YouTube's supported start and end settings (Player documentation). External YouTube links request the starting time but do not stop at the selected end. On that route, watch the displayed range and return to continue.

Superradiance by Memo Akten and Katie Hofstadter, with choreography and performance by Hofstadter and music by Akten for Chapter 1 and Rutger Zuydervelt for Chapter 2. Full artist credits

Structures of Being by Sofia Crespo, with music by Robert M. Thomas performed by Juan de la Rubia and Cosmos Quartet, and technical direction by Feileacan Kirkbride / Entangled Others Studio. Full artist credits

No artwork video or soundtrack is hosted in this page's own files. Embedded playback uses YouTube's privacy-enhanced player. Embedding guidance

The narration on this page is a synthetic voice. That narration and other generated material on this page were produced with Perplexity's services at the author's direction (Perplexity's terms). This page is a DeAngelisReview Thought Probe.

Typefaces are served with this page. Cormorant license and Source Sans license

Privacy and viewing terms

DeAngelisReview · October 21, 2026

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